08:27

BTS’ Paradise, forgiving yourself for making wrong choices, and… Marxism.

05:35

Does See That measure up to DASH?

04:21

What Pull Up can teach us about confrontation

08:10

NewJeans are not to blame and shouldn't be ignored, “What NewJeans Wanted to Say”

07:01

All abouTzu, the debut that breaks the mold

05:50

Kpop love songs that would’ve hit Wattpad like crack in the 80’s

05:37

MEOVV, empty choruses, and the “too teddy” problem

06:27

Linguistically reviewing "Bad English" in kpop 4

08:14

The paradox of Ditto’s imaginary friends motif

08:25

CRAZY completes the Le Sserafim concept

42:37

Debuting idols under 20 should be illegal, and other kpop opinions

03:53

The meta narrative of One More Time’s odd song structure

05:20

Boring album covers in a post-BRAT society

03:32

What does 별별별 mean?

08:05

The mischaracterization of KATSEYE (Pop Star Academy)

15:56

My updated kpop stan list

55:51

Reviewing my viewers' kpop opinions

04:17

What I think Stray Kids would be doing in Skyrim

10:22

Should Soyeon be held accountable for her English grammar?

11:00

Remaking the With YOU-th album as a concept album

06:04

Touch & why it's a good idea to market towards kpop first

07:31

Ranking Le Sserafim eras based on how peaceful it was to be a FEARNOT during

08:11

Linguistically reviewing "Bad English" in kpop 3

03:20

What is a chemical hype boy?

09:51

Why aren’t boy groups as relevant anymore?

08:19

Cosmic love and the idea behind the unsetting sun

08:31

Reviewing my first-ever hate tweet

09:51

The pitfalls of global group lyricism

08:31

Teaser-fishing and losing the plot: a measured defense of Cheeky Icy Thang

08:08

Supernova is the best kpop song we’ve had in a long time

09:09

Conspicuous kpop reaction pictures: relics of a lost society

05:31

Rockstar is Lisa's vision for the future

08:20

Fe3O4: Break, a modern day classic

05:25

The TWIMELINE: sorting TWICE’s discography in chronological order based on lore

06:39

The pragmatics of "kpop has always been westernized"

09:16

Why did After Like sample I Will Survive?

06:14

The brief and odd “will o’ the wisp” resurgence of 2022

06:41

The novelty of Nayeon’s solo career

15:19

HYBE boycotts & insidious performative activism

06:12

Lucky Girl Syndrome missed the mark, and my hopes for ILLIT’s manifestation concept

04:53

Mr. Vampire deserved better

05:00

4 Walls, chaos theory, and cosmic irony

09:32

What is a “pure camp” kpop song, if Catallena isn’t?

09:25

aespa’s album incohesiveness: is it a problem?

05:31

How Sweet, the Ugly Duckling, and the meaning of “NewJeans is everywhere”

17:31

Ranking every TWICE title track and single

06:26

Young Luv is STAYC’s magnum opus

06:55

Bubblegum isn’t on streaming services, conceptual release strategies, and the integrity of NewJeans

05:07

Pink Tape, the first frontier of video concept work in kpop

14:18

How westernization harms groups like Twice

05:19

My early Armageddon predictions #KwangyaCivilWar

09:18

My favorite ktubers and why I ❤️ them 4

03:59

The sad irony of Hate Rodrigo

09:19

my top songs of april 2024

10:01

Chill Kill, the unwelcomed change

03:58

The characterization of BABYMONSTER

04:05

IVE are greedy, sun-eating tigers (해야 HEYA analysis)

04:40

HYBE is targeting NewJeans: Hitman Bang’s gambit

03:45

Who is it, the Mafia? (concept analysis)

03:35

00:00, the auspicious moment of change (song analysis)